From Classical Hollywood to New Hollywood Essay

The pictorial matters rise up Without a Cause and fairish and Clyde offer two prime examples of the diversion between Old Hollywood and New Hollywood. Rebel Without a Cause was released in 1958 and, although it pushed the envelope for movies at that time, it still was in truth much a depiction of Old Hollywood. h unrivaledst and Clyde released in 1967 was one of the outgrowth haves of New Hollywood in that its style, acting and storyline moved it into a modern(a) generation of conductmaking.In this paper I will analyze these two films and contrast their different styles and also show how Bonnie and Clyde set a new standard in the filmmaking industry. I will also look at readings from class and draw from them in order to back up my discussion. Rebel Without a Cause (Old Hollywood) If I had one day when I didnt have to be all conf apply and I didnt have to feel that I was ashamed of al musical modesything. If I felt that I belonged someplace. You know? (Rebel Without a Cau se, 1958). This refer was from the protagonist Jim Stark who is a 17 year old whose parents just moved to Los Angeles.His parents fight often in front of him and his target down is very domineering toward his father and Jim doesnt equal this. He feels his dad is not man enough to stand up for himself and he sees him as creation week. Even though his father loves him a lot and shows him affection, Jim wishes he was more of a man. Throughout the movie he tries to tell him that he needs to just stand up for himself and set a nigh example for his son, unless his father doesnt get it. Hes just too used to being bullied around by his mother. Jim even goes so far as to say that he neer wants to end up like his father.This was just one of the many films during the fifties that depicted the youth of the States as being insubordinate and not having the same moral makeup as past generations. This film also looks at parenting styles and how they affect the youth at that time. The main c haracter Jim continuously gets into trouble as a result of his confusion and detachment from his parents. The style in which the film was made goes right on with what was being done in that era. The acting, at times, was very over dramatic and the dialog was sparse and very clean.The high school kids were rebellious and got into fights, but there is very little blood and the conversation was very civil. Up until the fifties, the movie duty had grown exponentially and was dominated by about eightsome different studios located in Los Angeles. Small budget films were being made at the time but wouldnt make money simply because the Giants had all the talent and money to produce large-scale productions. At that time it was also accepted that the larger the amount of money put into a film, the more it would make.It was create to the public amounts that were invested into the films (Maltby, 113 125). In the postwar period, the foreign market became an even more important source of in come to Hollywood. By the early 1960s foreign sales generated about half of the majors revenuesbut instead of bring European stars to Hollywood, American production migrated abroad (Maltby, 127). So part of New Hollywood was its front man abroad and actually filming and producing films in foreign nations. However, not many were ready for the movie that, in essence, changed how filmmaking was done.Bonnie and Clyde (New Hollywood) This heres Miss Bonnie Parker. Im Clyde Barrow. We rob banks. (Bonnie and Clyde, 1967). Directly influenced by the French New Wave style of cinematography, Bonnie and Clyde broke all of the rules associated with Old Hollywood. The film portrayed sex and personnel on a graphic level not really ever seen before. And, although, the movie started out as sort of a comedy, it quickly turned dark as the wildness began. Many different societal taboos were broken regarding sex and violence.This new style also included a more real form of filming in that it was m ore graphic and the filming itself was more choppy. The comedic way that it depicted violence along with its quickly shifting tone toward the dark side of violence was something new at the time. Since the production of Bonnie and Clyde many others followed suit in its overt display of sex and violence in the movies. The impression created is one of restlessness, edginess and a palpable sense of sexual hunger and appetite (King, 12). Clyde is a thief that meets up with Bonnie while hes trying to steal her mothers car.She falls in love with him and they go on a bank-robbing spree together. As they get better at what they do, the level of violence is escalated and the amount of gore depicted in the film rises. knowledgeable overtones are constant and this entire concept of glorifying sex and violence on film was brand new at the time. During the late fifties and sixties, times were tumultuous in America and Hollywood cinema reflected that. reservation connections between Hollywood m ovies and the times in which they surface is not as straightforward a business as it might often appear.Sometimes, however, the case seems more clear-cut the times are such that they appear to impose themselves forcefully on our consciousness, unmistakably invading the terrain of popular entertainment such as Hollywood cinema (King, 14). Because of social events and tragedies that were taking place in that era such as the Kennedy assassinations, the assassinations of Martin Luther King younger and Malcolm X, people were longing for films that helped express how they were feeling. ConclusionBoth movies were epic pictures that were preserved in the United States program library of Congresss National Film Registry and even though their release dates were only xii years apart, watching them makes you feel as if they were made in completely different eras which, in fact, they were. Rebel Without a Cause, arguably James Deans best film, sort of represents the innocence of America at t hat time. You feel as if you are watching something that would be rated G today, or would be on the Disney Channel. Bonnie and Clyde represented the direction that America was moving in.People might not have been ready for it at the time, however, they went to the theaters in drones to see it. It was the start of a brand new era in filmmaking and stands to be one of the founders, if not the founder, of New Hollywood today. Works Cited Bonnie and Clyde Memorable Quotes. (1967). Retrieved from http//www. imdb. com/ gentle/tt0061418/quotes King, G. (2002). New Hollywood plastic film An Introduction. New York I. B. Tauris & Co Ltd. Maltby, R. (1995). Hollywood Cinema. Malden, MA Blackwell Publishing Ltd. Rebel Without a Cause Memorable Quotes. (1955). Retrieved fromhttp//www. imdb. com/title/tt0048545/quotes